They say that you cannot sail in two boats, because there’s a constant fear of drowning. Well, the ace choreographer Farah Khan is one such person who proved it wrong and how! Well, joining the bandwagon is yet another choreographer (read ‘ace choreographer), who took the proverbial directorial plunge with the Manoj Bajpai-Juhi Chawla starrer Swami. We are indeed talking about Ganesh Acharya, who, after having made practically the whole of Bollywood to dance to his tunes, is back with his second directorial venture titled Money Hai Toh Honey Hai, a ‘fullto Mumbaiyya fillum’, as Ganesh would like to put it. Bollywood.tv caught up with this modesty-personified man, who spoke to us in length, including the real reason for making Swami. Read on to find out about Ganesh Acharya’s journey from being a choreographer to Swami and his latest Money Hai Toh Honey Hai. Lights, Camera, Action!
Ganeshji, to begin with, you started your directorial journey in Bollywood with a non-commercial film Swami.
Very true. There was a reason behind me making Swami. That is when Swami was released in 2006, I had 3-4 big budget films (as a choreographer) releasing around the same time. And I was very sure that these films will fare really well at the Box-Office. These films included Lage Raho Munnabhai, Omkara (’Beedi Jalaiye Le’), Rang De Basanti, and Golmaal. I had planned Swami almost 5 years back, right from its screenplay, dialogues, its story, and a lot of things that were related to me and my family. I knew that I was not the only choreographer getting into filmmaking; there have been many before me. I was also aware that Swami was not a commercial film. But putting aside all this, I was really satisfied making Swami, because it was a topic that was (and will forever be) really close to my heart. To put it categorically, Swami was my tribute to my parents. The good part of this film was that the media loved the film so much that it got me so much of critical acclaim which really meant (and it still means) more than anything for me.
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